Dr. Jeannine Jordan, Concert Organist

Posts tagged ‘performance’

Interview with Dr. Gail Archer, concert organist

Jeannine:  As a concert organist and recording artist, I’m always impressed with your themed recital series programs.  Please tell us the reasons, the thoughts behind the ideas for these concerts.

 Dr. Archer:  I started as a concert organist about 15 years ago.  I started very modestly by playing noon recitals in my own church and going up to Boston and down to DC playing little noon concerts with no real view that I was going to do this in any serious way.

 Then I played in the summer series at Riverside Church in NYC in summer 2002 where I played a Messiaen cycle, Les Corps Glorieux.  That performance got reviewed in the New York Times and nobody was more shocked, surprised and delighted than me.  So I said, “Oh my goodness maybe I ought to do this seriously”.

As a result, I went to the Boston Conservatory and worked with James David Christie and then to Paris to work with Jon Gillock on Messiaen. Over a five-year period I learned the complete works of Messiaen and played them for the 100th anniversary of Messiaen’s death in 2008 here in NYC.  That was the real turning point for me.  I was the first American woman to play Messiaen’s complete organ works and it got a lot of wonderful press.   At the end of 2008, Time Out New York, the culture magazine, recognized it as the Best of the Year in Classical Music and Opera.

 My concert career has continued to grow since then.  I have a publicist and a recording company, but I do all my own bookings and am now playing fifty concerts a year at home and abroad.

 Jeannine:  You have several CDs to your credit.  What are some of your most recent recording projects?

 Dr. Archer:  I am always making recordings.  A recent CD is one of the music of women composers, The Muse’s Voice, which got excellent press.  My newest recording is the result of a Russian project, A Russian Journey.  I’ve been to Russia three times where I investigated organ literature by Russian composers.  The premise of my research was that there has to be organ music by Russian composers even though the organ is not found in churches (the Russian Orthodox tradition is a sung tradition) but organs are found in small recital halls associated with the Philharmonic in every city.  So, I discovered music by the Russian Five, lesser known composers plus music by living Russian composers.  This disc has gotten beautiful reviews including one in the January 2018 issue of Gramophone.

 I am going to now do more music of Eastern European composers because so many of colleagues play the French Romantic literature or, of course, Bach, but we as artists need to find corners of repertoire where light needs to be shed so that we hear music by other people.  As a result I will be doing another CD in the Ukraine during the summer of 2018 of Ukrainian contemporary composers.

 Because of my interest in Eastern Europe, I was elected a member of the Harriman Institute here at Columbia where I now have access to grant monies and support for this work.  The Harriman Institute promotes scholarship and the arts to bridge the gap between the East and the West.
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Excerpted from the Guest Artist Interview of the February 2018 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

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You are invited

Jeannine and David Jordan present

Around the World in 80 Minutes
Organ and Multi-media Concert Experience

Sunday, February 18, 2018 at 3:00 p.m.

“Who’s on Third” Concert Series

Woodburn United Methodist Church

700 Cascade Drive

Woodburn, Oregon

Freewill offering

Taking Organ Concerts Out of the “Potted-Palm” Mode

Last month I was invited to submit an article to MusForum, the online magazine for women organists, celebrating their accomplishments and wide-ranging interests.   I was honored to share my passion — that of presenting “new” organ concerts using storytelling and 21st-century technology. My goal is to bring a different group of people to organ concerts and make new friends for the organ.

To read the article,

MY PASSION – TAKING ORGAN CONCERTS OUT OF THE “POTTED-PALM” MODE 

please click here.

Dr. Jeannine Jordan, concert organist with her husband David, media artist, are the creators and performers of Bach and Sons, From Sea to Shining Sea, and Around the World in 80 Minutes — live organ concerts with multi-media.

Dunstan House

Jeannine:  You are also a music publisher, establishing the Dunstan House in 1991.  What are the challenges, joys of publishing and promoting your own music so successfully – case in point, Mr. Gawthrop’schoral piece, Sing Me to Heaven,has half million copies in print, and has become one of the most performed and recorded choral works in modern history!

Mr. Gawthrop:  My wife and I started Dunstan House when I realized that the companies which had been publishing my things up to that point were forced by reality to profitably sell as many copies as possible of each title, and that this quite inevitably led to editorial decisions about what to publish and what to allow to eventually go out of print which were not necessarily in my best interests. The only way to control those decisions was to own the process, so Dunstan House was established to allow me to publish even the things which would probably never turn a profit, and to keep in print even things which didn’t sell thousands of copies each year.

 

Obviously, the joys of self-publication are pretty much wrapped up right there. The challenges also follow pretty logically—no one but me will do any advertising or promotion for my catalog, so when there’s little or no money for those efforts (which is most of the time) very little gets done. Accordingly, I am looking at a catalog which is, from my perspective, filled with undiscovered gems which are unknown to nearly everyone but the original commissioning body.  Please visit http://www.dunstanhouse.com/ to peruse our catalog.

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Excerpted from the Guest Artist Interview of the October 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Composer, organist, conductor, teacher, adjudicator, publisher, writer, music critic, and satirist-a Renaissance man!

Guest Artist Interview
with Daniel Gawthrop 

Jeannine: Who is Daniel Gawthrop? Please introduce yourself.

Mr. Gawthrop:  I started musical activities in elementary school, played trombone in the band beginning in junior high, sang in school and church choirs and fell in love with the organ
as a youngster. Supportive parents and readily available instruction in a fine public school system helped me develop my skills. I began college as an organ performance major but quickly discovered that my piano technique and background were inadequate to allow me to succeed. A few years in the Navy (mostly in northern Germany) and marriage helped mature me a bit and when I returned to college the switch to composition seemed natural.

From that point I have been obsessed with creating music which will touch people and lift them up. Much of that music has been written for church use, but there is also a substantial body of choral works with secular texts. Music for my favorite instrument, the organ, also comprises a good percentage of my output, and orchestral pieces appear when those rare commissions allow.

Jeannine:  What brought you to the world of music?

Mr. Gawthrop:  I honestly cannot remember a time when it was not central to my life. I’m forced to assume I was born with the need to hear and create music—it’s as necessary as food…especially chocolate!
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Excerpted from the Guest Artist Interview of the October 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Thoughts on art

J:  Any other thoughts/ideas you’d like to share with our readers?

Dr. Spritzer:  Art for art’s sake is of tremendous value, but our colleagues and our friendships that can give it all personal depth and connection and life. The ways in which we support each other are what make our community great and lasting. Do everything you can to support those around you (a high tide raises all ships!), and pay it forward, and never underestimate the value of kindness. Write thank-you notes! Take risks, and do the things you fear the most and be true to yourself and your calling. We are all so, so fortunate to live in a time when we can devote our lives to music and teaching and liturgy and scholarship, and I feel tremendous gratitude for that. It has not always been so, and is still not so in many parts of the world. Thank you to everyone who has supported me time and time again, and I will always do the same!

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Excerpted from the Feature Article of the September 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Dr. Damin Spritzer Interview – Part 3

J:  Your summer performance tour recently took you to historic German cities playing incredible organs.  What is it about performing on notable instruments in a place such as the Predigerkirche in Erfurt that is so moving and memorable?

Dr. Spritzer:  Giving performances in Europe is one of my greatest joys! It makes me feel so profoundly connected to the history of the organ. This has been an amazing year of travel, and I pray that it will continue in the years to come.

As I tried to describe earlier , I am deeply moved by how truly ancient our instrument is. This past summer in particular, I played organs that are older than the founding of America. That really, really, really makes you stop and pause, and think about the generations of scholars and artisans and builders and composers that have all come before us, and that are among us right this minute, and who are yet to come in the future. The beauty of Europe and historically-treasured instruments is so special, it moves me to tears to hear those sounds and be in those places. Thinking about Bach’s children being baptized a few feet away at the Herderkirche, or Liszt giving lessons to Reubke at the Nicolaikirche, or Cavaillé-Coll climbing the steps to the organ to keep voicing…It always feels new, and yet it’s not, and I’m certainly not the only one to experience this happiness and sense of connection! But I love every single experience.

It’s a serious privilege and a gift to have those opportunities, and to walk where so many of the musicians we revere lived their lives. For me it adds a level of gravity to my own preparation and scholarship, as well as a deeply emotional appreciation for being able to do what I do. It’s tremendous to experience such incredible history and diversity (and food, and wine, and culture!) by only taking short train rides, as well. That’s something I really love about traveling in Europe and work hard to take advantage of when there.

J:  As a recording artist you have introduced us to the music of Rene Louis Becker.  Why is his music important in the organ and music world?

Dr. Spritzer:  René Becker is a perfect example of a recently-living composer who gave his life to church music and composing and teaching, but through no fault of his own was not remembered right away by subsequent generations. And it’s lovely, lovely music, and he represents both the European and American schools of composition and performance.  (Click here for Dr. Spritzer’s recordings of Becker’s music.) I was very fortunate to be able to work with his music and his lovely descendants who were so gracious to me.

I hope to find more composers and pieces that similarly can be restored to a place in our larger body of repertoire. The discovery process can be time-consuming but so satisfying. I’m not a composer, but if I were, I would hope to be remembered similarly, and to feel that my contributions were of lasting value. So since I do not create new music, I can promote the music of our wonderful colleagues who do! I have several upcoming projects in that vein about which I am very, very hopeful.
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Excerpted from the Feature Article of the September 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

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