Dr. Jeannine Jordan, Concert Organist

Posts tagged ‘organ and media events’

Aside

Stories and Music

All pieces of music tell stories. They emanate from a certain cultural milieu, and if nothing else, they describe stories of their own creation. Others describe the impressions which inspired them.
Felix Mendelssohn

Felix Mendelssohn understood this problem and invented “theme” programming, still common today, where a concert series focuses on a genre of music or historic era. The theme creates an arc during a concert that engages all listeners, regardless of their level of music literacy.

In shaping a program around a theme, any theme, one considers that the music itself becomes limited by the idea which it serves. On the contrary, this new storytelling idea, itself often contained within larger ones, and filled with other smaller stories, can inspire and move the participants into a new journey, a fresh relationship.

You can compare musical dissonance to the conflict between characters in a story. The tension builds and rises to a peak, and then is resolved by the story’s calm conclusion…consonance.

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Dr. Jeannine Jordan, organist and David Jordan, media artist of Pro-Motion Music are the creators and presenters of the dramatic story-driven organ and multimedia concert experiences, From Sea to Shining Sea, Bach and Sons, and Around the World in 80 Minutes.   #DrJeannineJordan  #OrganAndMultimediaConcert

A Legacy Is Not Hard To Create

Legacy  by David Jordan

The developments during the past two months have surely set in motion reflective thoughts in all of us. With the passing of John Scott and Sir David Willcocks, we are prompted to think about legacy. These two human beings left a wonderful legacy of encouragement, honesty and focus of effort, and, of course, magnificent results. They are and will be missed.  Hopefully their legacy will encourage us to assimilate their approaches to life and music to help build our own meaningful legacies.

For our purposes, we will use the definition of legacy as “anything handed down from the past, as from an ancestor or predecessor.”  Legacies are, more or less, what we remember about a person.

A legacy is not hard to create. The truth is, whatever we do, we leave a legacy. Short lived, long lived, world changing or not, positive or negative we leave a legacy.

As musicians we are blessed with many great legacies that influence us today.

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David Jordan, media specialist and Dr. Jeannine Jordan, concert organist are the creators and performers of the audience-engaging organ and multi-media concert experiences, Bach and Sons and From Sea to Shining Sea.

Death of a Church Musician…Birth of the Creative Leader

Excerpted from an article by David Jordan published in the January 2015 Pro-Motion Music Newsletter.

Let’s face it, for years we have kind of had our way in how we created “church music.” Now, looking in our rear view mirror, we see that many of the tried and true ways of that past are not working as well. Hmm… The choir is disappearing, many of the new hymns are singable, but just not very musical. And a lot of people don’t seem too bothered by it. Hmm…

Does this forebode an era where people are no longer interested in church music? “Heavens” no! In fact, their interest may still be quite strong. But everything around us seems to be changing. Well, Dave, what are we supposed to do, learn how to use “Rock” to get people interested?

First of all let’s calm down and use the term MIP.

MIPs are the new VIPs of church music.

MIP stands for Musically Interested Person. Not necessarily trained, not necessarily someone who has been involved for 30 years, but some who might have some experience, and really does like “church music.”

MIPs really do want to help, really do like music, and want to worship God and help other people do the same. These are people who are willing to follow someone who has some expertise, of course, but more importantly who cares about each one of the MIPs. They need to feel welcomed – not like they are auditioning for American Idol.

How do you lead people interested in music into the future together? How do you lead them into thinking about doing things differently? How do you make it

easy for them to participate and become part of the music community in your church? You’re still the leader, that hasn’t changed, but maybe there are some things that could make your leadership easier and more effective.

We still want to maintain

  • Excellent, beautifully performed music that helps draw people closer to God
  • A place for more people to sing, play, or just support what you do
  • A community that builds each other and the church.

What if in choosing music for worship, you chose music your choir could do beautifully and elegantly rather than difficult “standards” that aren’t done well, and well, “don’t sound so great.”

What if we redefined a few things and realized that Musically Interested People:

· Really do want to participate but not painfully so

· Really do want to help but not as an avocation

· Really do want to do well, but not take the joy out of music

What if instead of a 3 hour evening rehearsal which most people don’t have the time or interest to do, the choir rehearses/really focuses on Sunday morning for an hour to prepare an anthem and lead the service really well?  Most MIPs will really appreciate this rehearsal plan and be willing to attend (instead of having to make another excuse about missing Thursday night rehearsal).  What if we got to the point that this was our new reality and we could lead and build from there?

Let’s look for ideas that could help all of us build a community of VIP MIPs into a vital part of the church and music program. A fellowship, if you will, of like-minded intentional Musically Interested People who want to serve in some way, and not only feel good about it but have a pride in the fact that they did something really well? Are you excited? I know I am just thinking about it.

David Jordan, media specialist and his wife, concert organist Dr. Jeannine Jordan are the creators and performers of two multi-media organ concert experiences, Bach and Sons and From Sea to Shining Sea.

What Are The Three Elements Of A Successful Performance?

Dame Gillian Weir, Britain’s foremost concert organist, writes:

“A really successful performance occurs when three elements come
together as one:

the music (the composition on the paper), the player, and the audience.

The instrument is the vehicle for this, but not the end in itself;

the music is the message and the organ, however wonderful, is the medium. 

A great performance should be like an equilateral triangle with all these three parts being equal.

When this happens, it is like opening a window to the beyond

and we all can catch a brief glimpse of our creator. 

These are the most memorable concerts.”  

Dr. Jeannine Jordan, concert organist

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