Dr. Jeannine Jordan, Concert Organist

Archive for the ‘Bach and Sons’ Category

Music Critic for The Washington Post

Jeannine:  As a writer you shared your insights with the public of Washington DC as music critic for The Washington Post.  What skills are needed to be an astute music critic?  You must have many “stories” from this part of your career.  Is there one you’d care to share with our readers?

Mr. Gawthrop:  The language skills required are considerable, not only in finding constantly fresh ways to colorfully and memorably describe musical events but also in the discipline required to be comprehensively descriptive within just a few column inches. Beyond language issues, it really helps to be broadly based in your listening and reading habits so that the things you are writing (to a very sophisticated audience) are firmly based in understanding.

I came to professional music criticism with almost no formal training and did so in front of a cosmopolitan readership in a major international music capitol. It was scary. I think the magnitude of what I had undertaken didn’t become fully clear to me until when, within a very short period of time, I was assigned to review two events by world class performers whom I had previously known only through recordings: the Leipzig Gewandhaus Orchestra and concert organist Marie Claire Alain. It was in equal measures humbling and exhilarating.
___________________________________________________

Excerpted from the Guest Artist Interview of the October 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Advertisements

Dunstan House

Jeannine:  You are also a music publisher, establishing the Dunstan House in 1991.  What are the challenges, joys of publishing and promoting your own music so successfully – case in point, Mr. Gawthrop’schoral piece, Sing Me to Heaven,has half million copies in print, and has become one of the most performed and recorded choral works in modern history!

Mr. Gawthrop:  My wife and I started Dunstan House when I realized that the companies which had been publishing my things up to that point were forced by reality to profitably sell as many copies as possible of each title, and that this quite inevitably led to editorial decisions about what to publish and what to allow to eventually go out of print which were not necessarily in my best interests. The only way to control those decisions was to own the process, so Dunstan House was established to allow me to publish even the things which would probably never turn a profit, and to keep in print even things which didn’t sell thousands of copies each year.

 

Obviously, the joys of self-publication are pretty much wrapped up right there. The challenges also follow pretty logically—no one but me will do any advertising or promotion for my catalog, so when there’s little or no money for those efforts (which is most of the time) very little gets done. Accordingly, I am looking at a catalog which is, from my perspective, filled with undiscovered gems which are unknown to nearly everyone but the original commissioning body.  Please visit http://www.dunstanhouse.com/ to peruse our catalog.

_____________________________________________________

Excerpted from the Guest Artist Interview of the October 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Composer, organist, conductor, teacher, adjudicator, publisher, writer, music critic, and satirist-a Renaissance man!

Guest Artist Interview
with Daniel Gawthrop 

Jeannine: Who is Daniel Gawthrop? Please introduce yourself.

Mr. Gawthrop:  I started musical activities in elementary school, played trombone in the band beginning in junior high, sang in school and church choirs and fell in love with the organ
as a youngster. Supportive parents and readily available instruction in a fine public school system helped me develop my skills. I began college as an organ performance major but quickly discovered that my piano technique and background were inadequate to allow me to succeed. A few years in the Navy (mostly in northern Germany) and marriage helped mature me a bit and when I returned to college the switch to composition seemed natural.

From that point I have been obsessed with creating music which will touch people and lift them up. Much of that music has been written for church use, but there is also a substantial body of choral works with secular texts. Music for my favorite instrument, the organ, also comprises a good percentage of my output, and orchestral pieces appear when those rare commissions allow.

Jeannine:  What brought you to the world of music?

Mr. Gawthrop:  I honestly cannot remember a time when it was not central to my life. I’m forced to assume I was born with the need to hear and create music—it’s as necessary as food…especially chocolate!
________________________________________________

Excerpted from the Guest Artist Interview of the October 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Thoughts on art

J:  Any other thoughts/ideas you’d like to share with our readers?

Dr. Spritzer:  Art for art’s sake is of tremendous value, but our colleagues and our friendships that can give it all personal depth and connection and life. The ways in which we support each other are what make our community great and lasting. Do everything you can to support those around you (a high tide raises all ships!), and pay it forward, and never underestimate the value of kindness. Write thank-you notes! Take risks, and do the things you fear the most and be true to yourself and your calling. We are all so, so fortunate to live in a time when we can devote our lives to music and teaching and liturgy and scholarship, and I feel tremendous gratitude for that. It has not always been so, and is still not so in many parts of the world. Thank you to everyone who has supported me time and time again, and I will always do the same!

____________________________________________________________________

Excerpted from the Feature Article of the September 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Dr. Damin Spritzer Interview – Part 3

J:  Your summer performance tour recently took you to historic German cities playing incredible organs.  What is it about performing on notable instruments in a place such as the Predigerkirche in Erfurt that is so moving and memorable?

Dr. Spritzer:  Giving performances in Europe is one of my greatest joys! It makes me feel so profoundly connected to the history of the organ. This has been an amazing year of travel, and I pray that it will continue in the years to come.

As I tried to describe earlier , I am deeply moved by how truly ancient our instrument is. This past summer in particular, I played organs that are older than the founding of America. That really, really, really makes you stop and pause, and think about the generations of scholars and artisans and builders and composers that have all come before us, and that are among us right this minute, and who are yet to come in the future. The beauty of Europe and historically-treasured instruments is so special, it moves me to tears to hear those sounds and be in those places. Thinking about Bach’s children being baptized a few feet away at the Herderkirche, or Liszt giving lessons to Reubke at the Nicolaikirche, or Cavaillé-Coll climbing the steps to the organ to keep voicing…It always feels new, and yet it’s not, and I’m certainly not the only one to experience this happiness and sense of connection! But I love every single experience.

It’s a serious privilege and a gift to have those opportunities, and to walk where so many of the musicians we revere lived their lives. For me it adds a level of gravity to my own preparation and scholarship, as well as a deeply emotional appreciation for being able to do what I do. It’s tremendous to experience such incredible history and diversity (and food, and wine, and culture!) by only taking short train rides, as well. That’s something I really love about traveling in Europe and work hard to take advantage of when there.

J:  As a recording artist you have introduced us to the music of Rene Louis Becker.  Why is his music important in the organ and music world?

Dr. Spritzer:  René Becker is a perfect example of a recently-living composer who gave his life to church music and composing and teaching, but through no fault of his own was not remembered right away by subsequent generations. And it’s lovely, lovely music, and he represents both the European and American schools of composition and performance.  (Click here for Dr. Spritzer’s recordings of Becker’s music.) I was very fortunate to be able to work with his music and his lovely descendants who were so gracious to me.

I hope to find more composers and pieces that similarly can be restored to a place in our larger body of repertoire. The discovery process can be time-consuming but so satisfying. I’m not a composer, but if I were, I would hope to be remembered similarly, and to feel that my contributions were of lasting value. So since I do not create new music, I can promote the music of our wonderful colleagues who do! I have several upcoming projects in that vein about which I am very, very hopeful.
_______________________________________________

Excerpted from the Feature Article of the September 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Guest Interview with Dr. Damin Spritzer


Jeannine:  Our newsletter readership includes not only organists, but educators, historians, and music-lovers as well.  For those who do not know you, would you kindly introduce yourself?

Dr. Spritzer:  Thank you so much for thinking of me for this interview! It’s an honor to be included. Well, I’m not sure where to start – like so many of us, I wear many musical hats and love them all. I’ve been a musician since I was quite small and studied piano, violin, cello, recorders, and flute; a recitalist and church organist my entire adult life; and a music teacher and ultimately a professor for most of that span as well. My degrees are from Oberlin, Eastman, and UNT, and though I held church positions throughout college, my full-time church positions were in Atlanta, Georgia (Peachtree Presbyterian, as their Organ Intern) and Dallas, Texas for several years (St. Rita Catholic Community with Joel Martinson, University Park United Methodist with Jody Lindh, and now St. Matthews Episcopal Cathedral with Michie Akin and Keith Franks, though that is not full-time).

It’s been my privilege to make three world-premiere CDs of the music of René Louis Becker, on whom I wrote my doctoral dissertation. A fourth disc that is collaborative with my good friend and colleague Dr. Donald Pinson (trombone) is slated for release later this year as well. My Becker research led to my multi-volume critical edition of Becker’s organ works that is published by Wayne Leupold (volume I was last year, volume II is underway, and volumes beyond that are mapped out, etc.), and a monograph is also awaiting final editing.

I absolutely love to travel and perform, and I love to teach. I have several recording projects in the works and am grateful that I can make those contributions for our instrument. I spend a great deal of time writing and researching and practicing, and seek particularly lesser-known Romantic organ music. I’m beginning my third year as a professor at the University of Oklahoma in the organ department, and am daily happy and thankful to drive up to this beautiful, beautiful campus to be part of this university and our studio.

J:  What was the moment you knew you wanted to become an organist?

Dr. Spritzer:  I always loved organ music since I was very small and my father used to play organ recordings for me (E. Power Biggs, the Poulenc concerto…) records for me, but it was honestly and literally the very first time I sat down at an organ console. I was 16 and had won a scholarship to take a year of free lessons from the Portland, Oregon AGO. The second I sat down, I just knew. It was a startling moment of clarity for me as a teenager, actually. There was nothing like it that I had experienced, even having played instruments my whole life: the glorious sounds, the touch, the aesthetic beauty of the room and stained glass…even just the physicality of the use of my whole body to play…I just knew! I loved it. And I knew nothing, and it’s only gotten better.started violin and piano fairly young, after my kindergarten teacher called my parents to make sure they knew that I would not leave the classroom piano alone. So I’d been a pianist and accompanist (choral and theatre) for years, and I had long studied violin as well as played in both major youth orchestras in the area (the Portland Youth Philharmonic and the Metropolitan Youth Orchestra). I sang in the choirs in all my schools and often accompanied, and worked with a chamber ensemble in high school as well…but the organ was something entirely different that went straight to my heart and hands.
______________________________________________________

Excerpted from the Feature Article of the September 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

A Quiz based on “How Playing an Instrument Benefits our Brain”

A quiz for those of you who have read our three prior posts based on the TED-Ed presentation by Anita Collins, How Playing an Instrument Benefits our Brain.

Neuroscientists get excited about watching the brain functions of musicians because?
A  Musicians use different parts of their brain to complete tasks
B  Musicians use more of their brain to complete tasks
C  Musicians use more parts of their brain simultaneously to complete tasks
D  Musicians use their brains surprisingly when completing tasks

Learning a musical instrument engages which different areas of the brain at the same time?

A  Visual, motor and cerebral cortices
B  Auditory, motor and visual cortices
C  Motor, cerebral and auditory cortices
D  Cerebral, motor and fine motor cortices

The bridge between the two brain hemispheres is called?
A  Corpum callum
B  Coopco coolism
C  Capum cullim
D  Corpus callosum

Learning a musical instrument teaches your brain how to create, ______ and retrieve memories more effectively?
A  Store
B  Find
C  Make
D  Erase

Executive function is a series of interlinked tasks that includes planning, strategizing, and attention to ________.

A  Habits
B  Facts
C  Features
D  Detail

Executive function is a complex combination of brain functions that requires analysis of both the cognitive and emotional aspects of a problem or situation. What type of complex problems of situations could you think of that would use your executive function capabilities?

Learning a musical instrument has been found to assist in our memory abilities. How does your capacity to remember facts, ideas, things you have seen and heard, impact on your ability to learn?

“Playing music is the brain’s equivalent of a full-body workout.”

What could be some of the short and long term effects of keeping your brain in tip-top physical shape?

__________________________________________________________

Excerpted from the Feature Article of the August 2017 Pro-Motion Music e-newsletter.  Dr. Jeannine and David Jordan are the creative artists of Pro-Motion Music LLC.  Jeannine, a concert organist, with David, a media artist, are the creators and performers of three organ and multimedia concert experiences, Around the World in 80 Minutes, From Sea to Shining Sea, and Bach and Sons.

Tag Cloud

%d bloggers like this: