Guest Artist Interview
with David Stabler
Jeannine: Our readers are from all parts of the US and World and through this brief interview will get to know an amazing man, musician, and writer. Would you please give our readers a brief introduction to David Stabler.
Mr. Stabler: I didn’t get serious about the piano until I didn’t have one. When I was 16, I spent a summer volunteering at a youth center in afishing village near Prince Rupert, way up the coast of British Columbia. No pianos, but the church we lived in had a pump organ, so in my spare time, I played hymns and the only two pieces I could remember: A Bach two-part invention and Solfeggietto. That summer, I decided I had to become a pianist, and can happily say I have expanded my repertoire.
I earned piano performance degrees from the University of Western Ontario, the Royal College of Music and the Eastman School of Music in Rochester, N.Y. I spent two years living in London and Vienna, taking piano lessons and attending as many concerts as my meager budget allowed.
I he performed as a soloist, accompanist, chamber musician — you
name it — and starred in an award-winning film about Robert and Clara Schumann for Alaska public television. I had moved to Anchorage to teach at a private music school and I fully intended to be a pianist forever — the idea of working in journalism never occurred to me — until I filled in for a music critic at the Anchorage Daily News. Writing about music hooked me as strongly as the piano, which I play daily.
In 2000, my wife, Judi and I spent a year impressed and intimidated by smart kids at Stanford University, where I was a journalism fellow for a year. In 2007, I was a member of the press jury at the International Cliburn Piano Competition for Outstanding Amateurs — a wonderful experience captured in the documentary “They Came to Play.” I have written for several national publications, including the New Grove Dictionary of Musicians, Opera News, Sunset and American Record Guide.
I retired from The Oregonian in 2015, having enjoyed 29 years learning from some of the best arts writers in the country. My story about a gifted, but troubled, young cellist in eastern Oregon was a finalist for a Pulitzer Prize. To read more, click here.
Jeannine: You certainly have had a multi-faceted music career with your extensive work as a pianist, writer, and now as a teacher. So where to begin…Let’s look first at your work as a pianist – why were you drawn to this instrument and how has it survived the “test of time” in your life? Why is it still important to you to play every day?
Mr. Stabler: I don’t know why we are drawn to the instruments we love and devote our lives to, but the piano goes to the root of who I am. It gives me the most encompassing way to express what I can’t say in words. How lucky we are to be able to grapple with the great composers every day, to hear what they heard in their innermost imaginations and to trace on the keyboard the same movements. It’s a gift I never get over.
Dr. Jeannine Jordan, concert organist with her husband David, media artist, are the creators and performers of Bach and Sons, From Sea to Shining Sea, and Around the World in 80 Minutes — live organ concerts with multi-media.